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ARTH


Director: Mahesh Bhatt
Writers: Mahesh Bhatt (screenplay), Sujit Sen (screenplay)
Stars: Shabana Azmi, Kulbhushan Kharbanda, Smita Patil |
Mahesh Bhatt was one of the finest filmmakers of the 1980s in the Hindi film industry. Most of his films of that period, whether it's Arth, Saaransh or Kaash, dealt with subjects most people have to deal with in their lives. Arth is one of his finest works and is perhaps the most famous of his films of that time. The movie is mainly about marriage, infidelity and divorce, but it also deals with other relevant issues through some of its minor characters. These issues are handled exceptionally well by Bhatt, who keeps everything genuinely life-like and pays attention to details. Arth depicts a world which is real and authentic and it captures the urban lifestyle of that time with complete precision. The dialogues, the

GUIDE


Rating -*****/*****
starring-Dev Ananad,Waheeda Rehman
The movie starts with Raju (Dev Anand) being released from jail. Raju was a freelance guide, who earned his living by taking tourists to historic sites. One day, a wealthy and aging archaeologist, Marco (Kishore Sahu) comes to the city with his young wife Rosie (Waheeda Rehman), the daughter of a courtesan. Marco wants to do some research on the caves outside the city and hires Raju as his guide.
While Marco devotes himself to the discovery of the cave, Raju takes Rosie on a tour and appreciates her dancing ability and innocence. He learns about Rosie's background as a daughter of a prostitute and how Rosie has achieved respectability as the wife of Marco but at a terrible cost. She had to give up her passion of dancing since it was unacceptable to Marco. Meanwhile, Rosie tries to commit suicide by consuming poison. Marco, upon learning of the incident, returns from the caves to see Rosie and is furious with Rosie after seeing her alive. He tells her that her act of committing suicide was a drama, otherwise she would have consumed more sleeping pills so that she could really have died. Upon returning to the caves which were discovered, Rosie learns that Marco is spending time and enjoying the company of a native tribal girl. She is enraged at Marco and both indulge in a serious heated discussion, which concludes with Rosie leaving the caves, and she once again wants to end her life.
Raju calms her down by saying that committing suicide is a sin, and that she should live to pursue her dream. She finally says good-bye to the relation of being the wife of Marco. Now she needs support and a home. Raju gives her shelter. Rosie is considered a prostitute by Raju's community (as classical dancing traditionally was prostitutes' work at royal courts), which leads to many problems, including his mother and her brother insisting that Rosie be kicked out. Raju refuses and his mother leaves him. His friend and driver also falls out with him over Rosie. Raju loses his business and the entire town turns against him. Undeterred by these setbacks, Raju helps Rosie embark on a singing and dancing career and Rosie becomes a star. As she rises as a star, Raju becomes dissolute — gambling and drinking. Marco comes back on the scene. Trying to win Rosie back, he brings flowers and has his agent ask Rosie to release some jewelry which is in a safe deposit box. Raju, a bit jealous, does not want Marco to have any contact with Rosie and forges Rosie's name on the release of the jewels. Meanwhile, Rosie and Raju drift apart due to Rosie's incomprehensible behaviour when she tortures Raju by not obliging him a caring hug even and asks him to leave her room else she says she will have to go out. Before this, they also had a discussion about how a man should live when Rosie remembers Marco and tells Raju that Marco was probably correct when he used to say that a man should not live on a woman's earnings.
Raju retorts by saying that she is under a misunderstanding that she has become a star on her own and it was only because of Raju's efforts that she became famous. Later, Rosie learns of the forgery release. Raju is convicted of forgery, resulting in a two-year sentence. Rosie does not understand why Raju indulged in forgery, when he could have easily asked her for money. It was not money, it was the loving fascination for Rosie which urged Raju not to reveal Marco's visit to Rosie so that she doesn't remember him again and to eliminate the probability of Rosie and Marco's togetherness, if at all, there was any little chance. On the day of his release, his mother and Rosie come to pick him up but they are told that he was released six months ago because of his good behaviour.
Meanwhile, upon his release Raju wanders alone. Despair, poverty, rags, hunger, loneliness engulf him until he finds a wandering group of sadhus (holy men) with whom he spends a night at a derelict temple in a small town.Raju impresses the woman with the logic in taking a husband and she submits, which convinces Bhola that Raju is a swami (holy man). Impressed by this, Bhola spreads the news through the village. Raju is taken as a holy man by the village. Raju assumes the role of village holy man (Swami Ji) and engages in skirmishes with the local pandits.And drama started here. Due to drought Raju was forced to fast for 12 days so that it rains. Meanwhile his mother , friend and Rosie unite with him and patch things up. In the end it rains but Raju dies.G
Dev Anand ... Raju

Waheeda Rehman ... Rosie Marco / Nalini

Leela Chitnis ... Raju's Mother
Anwar Hussain ... Ghaffoor
Ulhas ... Raju's Uncle (Mamaji)
Gajanan Jagirdar ... Bhola (as Jagirdar)
Rashid Khan ... Joseph
Kishore Sahu ... Marco
Praveen Paul ... Bhola's Wife (as Pravin Paul)
Mridula Rani ... Laxmibai (as Mirdula Rani)
Purnima
Sheela R. (as Ellen Sheela R.)
Krishan Dhawan ... Inspector Girdhari
Prem Sagar
Narbada Shankar (as Nerbada Shankar)
Levy Aaron ... Dilip
Mohan Jerry
Dilip Dutt ... Mani
Ram Avtar ... Pandit (as Ram Avatar)
V. Gopal ... Hotel Manager

SINGHAM

Rating ****/*****Starring- Ajay devgan                                                       Kajal Aggarwal

Directed by Rohit Shetty
Produced by Reliance Entertainment
Written by Sajid – Farhad
Screenplay by Yunus Sajawal
Story by Hari
Starring Ajay Devgan
Kajal Aggarwal
Prakash Raj
Music by Ajay-Atul
Cinematography Dudley
Editing by Steven H. Bernard
Distributed by Reliance Entertainment
Release date(s)
22 July 2011
Running time 142 minutes
Country India
Language Hindi
Budget INR20 crore (US$3.1 million)
Box office INR140 crore (US$21 million)
Singham (English translation: Lion) is a 2011 Bollywood action film directed by Rohit Shetty, starring Ajay Devgan, Kajal Aggarwal and Prakash Raj in lead roles. It is a remake of the 2010 Tamil blockbuster Singam featuring Suriya and Anushka Shetty. The film is produced under Reliance Entertainment, which co-produced the original Tamil movie. The theatrical trailer was released with Ready on 3 June 2011. The film released on 22 July 2011, and received extremely good response worldwide. It turned out to be a Blockbuster at the box office, and became one of the highest grossing movies of 2011.
Contents  [hide]
1 Plot
2 Cast
3 Character Map of Remakes
4 Production
5 Release
6 Reception
6.1 Critical reception
6.2 Box office
7 Soundtrack
7.1 Track listing
7.2 Reception
8 Controversies
8.1 Protests in Karnataka
9 Sequel
10 References
11 External links


Singham opens with an honest police officer in Goa, Rakesh Kadam (Sudhanshu Pandey), committing suicide because of false accusations of corruption by Jaikant Shikre (Prakash Raj), a don and politician in Goa running a kidnapping racket. Kadam's wife Megha Kadam (Sonali Kulkarni) vows revenge.
The story moves to Shivgarh, a small village near the Goa-Maharashtra border. Bajirao Singham (Ajay Devgan), an honest Maratha police inspector like Kadam, is in charge of the Shivgarh police station. He resolves most of the problems in his town informally and without filing charge sheets, thereby gaining much reputation and love from the villagers. Gautam Bhosle ("Gotya," Sachin Khedekar) is an industrialist and a friend of Singham’s father Manikrao Singham (Govind Namdeo). He comes to Shivgarh with his wife and daughter Kavya (Kajal Aggarwal). Eventually Singham and Kavya fall in love with each other. Their courtship takes place through a series of comic events where she initially hates him and then has a change of heart when she sees his honest and simple nature.
Everything seems to run smoothly until Jaikant, who is given a conditional bail for a murder he committed, is required to travel to Shivgarh to sign the bail every fortnight. He, instead, sends one of his allies to do the formalities, much to the anger and rage of Singham who demands Jaikant sign the bail in person. Humiliated, Jaikant reaches Shivgarh but is unable to take any revenge on Singham fearing the wrath of villagers. Using his political contacts, he gets Singham transferred to Goa to take revenge.
Singham, unaware of Jaikant’s hand behind his transfer, joins Colva police station. His co-workers, Sub-Inspector Phadnis (Vineet Sharma), Sub-Inspector Abbas (Ankur Nayyar), Head Constable Savalkar (Ashok Saraf) hate Jaikant for his crimes but are unable to take any action because of Jaikant’s political powers. DSP Patkar (Murli Sharma), Singham's senior, is on Jaikant's payroll and takes care in concealing and eliminating the evidence of Jaikant’s crime from the eyes of the law. Singham tries to take this to the notice of DGP Vikram Pawar (Pradeep Velankar) but it turns out to be of no use as there is no evidence against Jaikant and Patkar. The local minister Anant Narvekar (Anant Jog) does not help Singham and, in turn, he warns him to stay away from Jaikant's case. Defeated Singham wants to return to his hometown but is stopped by Kavya who encourage him to fight against the evil and not run like a coward.
Being mentally tortured by Jaikant, Singham arrests Jaikant’s top lieutenant Shiva (Ashok Samarth) in a fake case of illegally smuggling alcohol. He thwarts off DSP Patkar in full view of the public when Patkar, bounded by his duties to Jaikant, tries to protect Shiva. Meanwhile, Megha Kadam, after being ridiculed by DGP Pawar and minister Narvekar for her corrupt husband’s death, seeks help from Singham to abolish the corruption charges against her husband; he obliges. Jaikant kidnaps Kavya’s younger sister for ransom. Rescuing her, Singham successfully traces the origins of the kidnapping racket to Jaikant but is unable to arrest him as he wins an election and becomes a minister of Goa.
Jaikant, sends transfer orders to Singham to go back to Shivgarh. That night at a police function organized for the officers with their family, Singham confronts the officers for not abiding to their duties and being dishonest and unfaithful to their profession by protecting Jaikant. Filled with guilt, the officers decide to help Singham fight Jaikant. They reach his home to kill him, with DGP Pawar and Patkar, now in support with Singham. Jaikant eventually escapes but, after running through the city, he is arrested by the police the next morning. They bring him to the police station and shoot him dead on the same chair where Inspector Rakesh Kadam shot himself. Then they threaten Shiva to change his statement. Jaikant and Minister Narvekar are proved guilty. At a media conference, DGP Pawar and Singham clear Kadam of all corruption charges.
The film ends with Singham and other police officers saluting Mrs. Kadam.
Cast[edit]

Ajay Devgan as Inspector Bajirao Singham
Kajal Aggarwal as Kavya Bhosle
Prakash Raj as Jaikant Shikre
Murli Sharma as DSP Patkar
Ashok Samarth as Shiva Naik (Jaikant Shikre's right hand)
Sachin Khedekar as Gautam Bhosle / Gotya
Ashok Saraf as Head Constable Savalkar
Sudhanshu Pandey as Inspector Rakesh Kadam
Govind Namdeo as Manikrao Singham
Sonali Kulkarni as Megha Kadam
Anant Jog as Minister Anant Narvekar
Ankur Nayyar as Inspector Abbas
Vijay Patkar as Havaldar Kelkar
Suchitra Bandekar as Mrs. Bhosle
Sana Amin Sheikh as Anjali Bhosle
Kishore Nandlaskar as Peon of Minister

Saheb Biwi Aur Gangster

Rating***/*****







Some movies have a great script; some have great performances by the actors, and some                                                                                                                                                have 
both. Luckily, Saheb Biwi Aur Gangster falls in the third category! The movie is a dream combo of a nearly perfect script and some neat performances by the cast.

Saheb Biwi Aur Gangster, though, cannot be called a remake of the old classic Sahib Bibi Aur Ghulam, it can definitely be considered inspired from it. After all, the three characters have been adapted from the movie.

Saheb Biwi Aur Gangster is a film about Aditya Pratap Singh (played by Jimmy Shergill), the Nawab Saheb of a province in UP, who is struggling to maintain the status quo set by his royal ancestors. His Biwi (Mahi Gill) is an aggravated lady who craves for some attention, love, and not to forget, sex! Coming to the Gangster, Babloo

Motilal


Born Motilal Rajvansh
1910
Shimla
Died 1965
Years active 1934–1965
Awards Filmfare Best Supporting Actor Award: Devdas(1955) ; Parakh (1960)
Motilal (1910–1965) was an Indian film actor and the winner of Filmfare Best Supporting Actor Award, twice, Devdas(1955) and Parakh (1960).[1] Motilal Rajvansh is credited with being among Hindi cinema’s first natural actor actors.
Contents  [hide]
1 Early life and background
2 Acting career
3 Filmography
3.1 Actor
3.2 Director
4 References
5 External links
Early life and background[edit source | editbeta]

Born in Simla on December 4, 1910, Motilal came from a distinguished family from Delhi.[2] His father was a renowned educationist, who died when Motilal was one year old. He was brought up by his uncle who was a well-known civil surgeon in Uttar Pradesh. At first, Moti was sent to an English school at Simla and later, in UP. Thereafter he shifted to Delhi where he continued with school and college.
Acting career[edit source | editbeta]

Motilal Rajvansh said on his screen career with characteristic humour.[3]
Married a 100 times, died almost twice, never born but always brought down by a parachute.
After leaving college, Moti came to Bombay to join the Navy. But, he fell ill and was prevented from appearing for the test. But fate had other choices charted out for him. One day, he went to see a film shoot at Sagar Studios where director K. P. Ghosh was shooting. Motilal, even then, was quite the man about the town and he caught Ghosh’s eye. And, in 1934 at the age of 24, he was offered the role of the hero in Shaher Ka Jadoo (1934) at the Sagar Film Company. He was featured in many successful social dramas alongside Sabita Devi such as Dr. Madhurika (1935) and Kulvadhu (1937), and later switched to Ranjit Studios. At Ranjit, Motilal worked with Mehboob Khan's Jagirdar (1937), Hum Tum Aur Woh (1938), Taqdeer (1943) and Kidar Sharma's Armaan (1942), Kaliyan (1944)). He also acted in S. S. Vasan (Gemini)'s movie "Paigham", and Raj Kapoor's "Jagte Raho". Perhaps his most famous role was that of the gentleman crook in S S Vasan’s adaptation of R K Narayan’s book Mr Sampat (1952).
He is most remembered for his role as ‘Chunni Babu’ in Bimal Roy’s Devdas (1955), for which he won his first Filmfare Best Supporting Actor Award.
He was involved with actress Shobhana Samarth after she separated from her husband, he played the role of Samarth's real-life daughter Nutan's father in Hamari Beti, Shobhana's launch movie for Nutan. He also played her guardian in Anari, though this time the role had a villainous touch to it.
Though he was very suave and polished, and moved in high society, towards the end of his life he was in financial difficulty. He had a very intimate relationship with actress Nadira. Actor, Naseeruddin Shah once described him as one of three all time best actors of Hindi cinema, others being Balraj Sahni & Yaqoob.
Although a thorough gentlemen, he enjoyed gambling and races, and died almost penniless in 1965.
Filmography[edit source | editbeta]

Actor[edit source | editbeta]
Yeh Zindagi Kitni Haseen Hai (1966)
Waqt (1965)
Ji Chahta Hai (1964)
Leader (1964)
Yeh Raaste Hain Pyaar Ke (1963)
Parakh (1960)
Anari (1959)
Paigham (1959)
Ab Dilli Dur Nahin (1957)
Jagte Raho (1956)
Devdas (1955)
Dhoon (1953)
Ek Do Teen (1953)
Apni Izzat (1952)
Mr. Sampat (1952)
Hamari Beti (1950)
Hanste Aansoo (1950)
Ek Thi Ladki (1949)
Lekh (1949)
Gajre (1948)
Mera Munna (1948)
Do Dil (1947)
Phoolwari (1946)
Dost (1944)
Mujrim (1944)
Umang (1944)
Aage Kadam (1943)
Taqdeer (1943)
Tasveer (1943)
Armaan (1942)
Pardesi (1941)
Sasural (1941)
Achhut (1940/I)
Achhut (1940/II)
Holi (1940)
Aap Ki Marzi (1939)
Sach Hai (1939)
Hum Tum Aur Woh (1938)
Teen Sau Din Ke Baad (1938)
Captain Kirti Kumar (1937)
Jagirdar (1937)
Be Kharab Jan (1936)
Dilawar (1936)
Do Diwane (1936)
Lagna Bandhan (1936)
Do Ghadi Ki Mauj (1935)
Dr. Madhurika (1935)
Silver King (1935)
Shaher Ka Jadoo (1934)
Vatan Parasta (1934)
Director[edit source | editbeta]
Chhoti Chhoti Baate

Amar Prem


Amar Prem (1972
Musical | Romance  -  28 January 1972 (India)
7.1 Your rating:    -/10   Ratings: 7.1/10 from 482 users
Reviews: 10 user | 2 critic
Nandkishore Sharma alias Nandu is born in the Sharma family. His mother tragically passes away, leaving him in the care of his father who decides to re-marry a woman named Kamla. Kamla is ... See full summary »

Director: Shakti Samanta
Writers: Bibhutibhushan Bandyopadhyay (story), Aravind Mukherjee (screenplay), 1 more credit »
Stars: Rajesh Khanna, Sharmila Tagore, Sujit Kumar | See full cast and crew
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3 wins & 1 nomination. See more awards »
Edit
Cast
Cast overview, first billed only:
Rajesh Khanna Rajesh Khanna ...
Anand Babu
Sharmila Tagore Sharmila Tagore ...
Pushpa
Sujit Kumar Sujit Kumar ...
Sharma (Nandu's dad) (as Sujit)
Bindu Bindu ...
Mrs. Kamla Sharma
Madan Puri Madan Puri ...
Nepal Babu
Bobby Bobby
Om Prakash Om Prakash ...
Natwarlal
Vinod Mehra Vinod Mehra ...
Nandkishore Sharma 'Nandu'
Satyendra Kapoor Satyendra Kapoor ...
Vijay (as Satyendra Kumar Kappu)
Manmohan Manmohan ...
Ram Ratan (as Man Mohan)
Abhi Bhattacharya Abhi Bhattacharya ...
Dr. Ghosh
Ram Mohan Ram Mohan ...
Shankar
Mohan Choti Mohan Choti
Gurnam Singh Gurnam Singh ...
Hariram (as Gurnam)
Paresh Nanda Paresh Nanda
See full cast »
Edit
Storyline
Nandkishore Sharma alias Nandu is born in the Sharma family. His mother tragically passes away, leaving him in the care of his father who decides to re-marry a woman named Kamla. Kamla is not very kind to Nandu, who then seeks love and solace with a neighbor named Pushpa, who looks after him, feeds him, and even sings lullabies to get him to sleep. This does not auger well with Kamla, who severely beats up Nandu whenever she finds out that he has gone to meet Pushpa. Then his parents decide to move to another town, and Nandu tearfully bids farewell to Pushpa, but her love for him remains in his heart forever. Years later, Nandu has grown up, his parents have passed away, his siblings are settled independently, and he himself is married. He takes a nostalgic journey to the same town where he used to reside as a child, and rents a room in the same locality. He asks around for a woman named Pushpa, hoping that a lot of people would remember her for her kindness and love. He is shocked to... Written by rAjOo (gunwanti@hotmail.com)

Plot Summary | Add Synopsis

Yeh Jawaani Hai Deewani

bIMDb Rating ***/*****


Yeh Jawaani Hai Deewani is the story of the relationship between two characters, Bunny (Ranbir Kapoor) & Naina (Deepika Padukone), at two separate but defining times in their lives... first, when they are just out of college and standing on the crossroads of multiple decisions that will shape who and what they become... and then later on, in their late-twenties when they meet again, holding on to certain fulfilled and certain unfulfilled dreams, at a crossroads of another nature this time... how these two characters affect, change, befriend and eventually fall in love with each other is the journey the film aspires to take us on... Written by Eros International Watch Full Movie Yeh Jawaani 2013 Scam.avi

Akshay-Kumar


Rating  **/*****



Once Upon A Time in Mumbai Dobaara


Date of Birth 9 September 1967, Amritsar, Punjab, India Birth Name
Rajiv Hari Om-Bhatia Nickname Akki Mac Height 5' 11" (1.80 m) Mini Biography This handsome man out of nowhere suddenly entered Bollywood's film industry. He studied martial arts in Hong Kong. It was a student that suggested that he try modelling. Because of his success as model, he was offered films. Along with his good looks and excellent martial art skills, he was always the first choice to do adventurous movies. He did his own death defying stunts. His breakthrough performance was in Saugandh (1991). He was well known for his Khiladi series, an Indian version of James Bond, such as _Mr.Bond (1992)_, Khiladi (1992), Main Khiladi Tu Anari (1994), Mr. & Mrs. Khiladi (1997) and Khiladi

AMAR PREM

Rating ****/*****                                      CAST-RAJESH KHANNA, SHARMILA                      
AMAR PREM
Nandkishore Sharma alias Nandu is born in the Sharma family. His mother tragically passes away, leaving him in the care of his father who decides to re-marry a woman named Kamla. Kamla is not very kind to Nandu, who then seeks love and solace with a neighbor named Pushpa, who looks after him, feeds him, and even sings lullabies to get him to sleep. This does not auger well with Kamla, who severely beats up Nandu whenever she finds out that he has gone to meet Pushpa. Then his parents decide to move to another town, and Nandu tearfully bids farewell to Pushpa, but her love for him remains in his heart forever. Years later, Nandu has grown up, his parents have passed away, his siblings are settled independently, and he himself is married. He takes a nostalgic journey to the same town where he used to reside as a child, and rents a room in the same locality. He asks around for a woman named Pushpa, hoping that a lot of people would remember her for her kindness and love. He is shocked to find out that Pushpa not longer lives there - and no one remembers her for her love and compassion only as a - prostitute

Rajinikanth

                                                       Rajinikanth
Born Shivaji Rao Gaikwad
12 December 1950 (age 62)
Bangalore, Mysore State, India
Residence Chennai, Tamil Nadu, India
Occupation Film actor, producer, screenwriter
Years active 1975–present
Height 5 ft 8 in
Spouse(s) Latha Rangachari
(1981–present)
Children
Aishwarya R. Dhanush
Soundarya R. Ashwin
Relatives
Dhanush
(son-in-law)
Awards Padma Bhushan (2000)
This article is part of a series on
Rajinikanth
Biography Filmography Awards
Rajinikanth (born 12 December 1950 as Shivaji Rao Gaikwad), is an Indian film actor, media personality, and cultural icon.[1] He made his debut as an actor in the National Film Award–winning Tamil film Apoorva Raagangal (1975), directed by K. Balachander, whom the actor considers his mentor.
After a brief phase of portraying antagonistic characters in Tamil films, Rajinikanth gradually rose to become an established film actor. He continues to hold a matinee idol status in the popular culture of India.[2] His mannerisms and stylised delivery of dialogue in films contribute to his mass popularity and appeal.[2] After being paid INR26 crore (US$4.0 million) for his role in Sivaji (2007), he became the highest paid actor in Asia after Jackie Chan.[3][4][5][6]
While working in other regional film industries of India, Rajinikanth has also appeared in the cinemas of other nations, including that of the United States. As of 2013, he has won six Tamil Nadu State Film Awards—four Best Actor Awards and two Special Awards for Best Actor—and a Filmfare Best Tamil Actor Award. Padma Bhushan, India's third highest civilian honour, was bestowed upon him in 2000. In addition to acting, Rajinikanth has also worked as a producer and screenwriter. Apart from his film career, he is also a philanthropist, spiritualist and serves as an influence in the Dravidian politics.
Contents  [hide]
1 Early life
2 Career
2.1 1975–77
2.2 1978–89
2.3 1990–2001
2.4 2002–10
2.5 2011–present
3 Popularity
4 Personal life
4.1 Family
4.2 Religious views
4.3 Social work and politics
5 Awards and honours
6 See also
7 References
8 Bibliography
9 Further reading
10 External links
Early life

Rajinikanth was born as Shivaji Rao Gaekwad,[7] to mother Jijabai and father Ramoji Rao Gaikwad, a police constable, on 12 December 1950 in the Indian city of Bangalore in Mysore State, present-day Karnataka.[8] Being the youngest of four siblings in the family he has two brothers and a sister. After his mother's death when he was nine years old,[9] he struggled with an impoverished lifestyle during his childhood. During that time, he often did odd jobs as a coolie in his community. He attended the Government Model Primary School at Gavipuram, Bangalore, where he had his primary education in Kannada language.[10]
Between 1966 and 1973 he worked in many places in Bangalore and Madras. He performed various jobs before joining the Bangalore Transport Service (BTS) as a bus conductor.[11][12] He began to take part in stage plays after Kannada playwright and director Topi Muniappa offered him a chance to act in mythological moral plays. His most notable was that of the villainous Duryodhana.[13] In 1973, his friend and co-worker Raj Bahadur motivated him to join the Madras Film Institute and also financially supported him during this phase.[14][15] His performance in a stage play eventually caught the eye of film director K. Balachander.[13] The director advised him to learn to speak Tamil, a recommendation that Rajinikanth quickly followed and which proved to be extremely useful in his career.[16]
Career

Main article: Rajinikanth filmography
1975–77
In 1975, Rajinikanth began his career in cinema through the Tamil movie Apoorva Raagangal.[17] Starring Kamal Haasan, the film was directed by K. Balachander,[17] who gave Rajinikanth a relatively small role as an abusive husband of Srividya.[18] The film went on to win the National Film Award for Best Feature Film in Tamil at the following year's ceremony.[19] His second film, a Kannada film, Katha Sangama, was directed by Puttanna Kanagal and released in 1976. His next film Anthuleni Katha, a Telugu film directed by K. Balachander which was a remake of his own Tamil film Aval Oru Thodar Kathai (1974), had Rajinikanth playing a more pivotal role. In the following years, he continued to perform a variety of negative roles: a sadistic husband of Sujatha in Avargal,[20] a womaniser in Moondru Mudichu,[21] and a lust-filled village rowdy in P. Bharathiraja's 16 Vayadhinile.[22][23] In 1977, he accepted his first-ever lead role in the Telugu film Chilakamma Cheppindi.[24] Though Rajinikanth always refers to K. Balachander as his mentor,[25] it was S. P. Muthuraman who revamped his image.[26] Muthuraman first experimented with him in a positive role in Bhuvana Oru Kelvikkuri (1977), as a failed lover in the first half of the film and a protagonist in the second half.[26] The duo went on to work in 25 films till the 1990s.[26]
1978–89
The 1978 film Bairavi was the first Tamil film to cast Rajinikanth as a main hero.[27] He also got the "superstar" title through the film.[27] Mullum Malarum that released during this period received critical acclaim.[28] The film marked the directional debut of J. Mahendran, had the screenplay adapted from a novel of the same name published in Kalki.[27] It eventually won the Filmfare Award for Best Tamil Film and Rajinikanth a special prize for Best Actor at the Tamil Nadu State Film Awards.[27] The success of Bhuvana Oru Kelvikkuri prompted Muthuraman to make a mushy melodrama with Rajinikanth as a hero sacrificing everything for his siblings in Aarilirunthu Arubathu Varai (1979).[29] Following this, he made his Malayalam film-debut through Allauddinum Albhutha Vilakkum. In the same year, he acted in Dharma Yuddam, in which he played a mentally ill person taking revenge for his parents' death. He also shared the screen with N. T. Rama Rao in his 50th film Tiger. Some of the popular films that also released during this period are the youthful entertainer Ninaithale Inikkum, the Tamil–Kannada bilingual Priya, and the Telugu film Amma Evarikkaina Amma. Priya, based on a detective novel by Sujatha Rangarajan had the distinction of being the first film of Rajinikanth to be shot mostly outside India, mainly in Southeast Asia.[27]
By the end of the 1980s, he became a popular actor in the South Indian cinema.[30] During this phase of his career, Rajinikanth abruptly chose to quit acting, but was coaxed back.[31] He made a comeback with the Tamil film Billa, which was a remake of the Bollywood film Don (1978). It had Rajinikanth playing dual roles and eventually became his first ever commercial success. His pairing with Sridevi continued in Johnny where he was once again cast in a double role. In 1981, he appeared in Garjanai which was shot simultaneously in Kannada and Malayalam, making it his last film in those two languages till date. He also starred in Murattu Kaalai which was a commercial success.[26][29] In K. Balachander’s first home production, Netrikan, he performed dual roles as a womanising father and a responsible son.[26] He acted in Thillu Mullu directed by K. Balachander, which was Rajinikanth's first full-length comedy. He agreed to it solely due to the strong suggestion by his mentor that he should do non-commercial roles, to break the stereotyped action-hero mould by which he was getting famous at the time.[32] In 1982, he starred in Pokkiri Raja and Thanikattu Raja. Moondru Mugam had Rajinikanth playing three roles for the first time.[33]
In 1983, he starred in his first Bollywood film, Andha Kanoon, alongside Amitabh Bachchan and Hema Malini. The film went on to become one of the highest grossing films of that time.[34] His 1984 film, Naan Mahaan Alla, was directed by Muturaman and produced by K. Balachander. He acted in his first cameo role in the film Anbulla Rajinikanth.[35] He played a triple role in John Jani Janardhan. His performance in Nallavanuku Nallavan earned him a Filmfare Best Tamil Actor Award.[36] In his 100th movie, Sri Raghavendra (1985), he played the Hindu saint Raghavendra Swami.[37]
In the second half of the 1980s, Rajinikanth acted in many superhit Tamil films like Naan Sigappu Manithan (1985), Padikkathavan (1985), Mr. Bharath (1986), Velaikaran (1987), Guru Sishyan (1988) and Dharmathin Thalaivan (1988). In 1988, he made his only English film appearance in Bloodstone, directed by Dwight Little.[38] Rajinikanth finished the decade with films including Rajadhi Raja, Siva, Raja Chinna Roja and Mappillai while also starring in a few Bollywood productions. Raja Chinna Roja was the first Indian film to use animated characters with actors.[39]
1990–2001
During this decade, Rajinikanth established himself as a commercial entertainer. Almost all the films released during this period were highly successful at the box office. He began the decade with Panakkaran (1990). His stint with Bollywood continued since the past decade as he went on to star in more Hindi films. Hum released in 1991 saw him doing the second main lead with Amitabh Bachchan became an inspiration for Badsha.[40][41] In 1991, he worked with Mani Ratnam in Thalapathi, which was heavily inspired from the Sanskrit epic, Mahabharata.[42][43] in which he co-starred with actor Mammooty; the film dealt with the friendship between two unknown characters based on Karna and Duryodhana, respectively,[42] and was set in a more contemporary milieu and was both critically acclaimed and successful upon release.[37] He went on to appear in remakes of films from other languages, mostly from Hindi and Telugu. Annamalai, which released in 1992, was yet another friendship eccentric film and was loosely based on the 1987 Bollywood film Khudgarz. Mannan, directed by P. Vasu, also became a box-office success. Rajinikanth wrote his first screenplay for the film Valli (1993), in which he also made a special appearance. He also starred in the movie Yejaman, in which he played the role of Vaanavaraayan, a village chieftain. His romantic-comedy Veera (1994) was controversial for its climax but went on to become one of the highest grossing films in 1994.[44] He joined hands with Suresh Krishna for Baasha (1995), which emerged as an industry record,[45] and is routinely touted by fans and critics alike as a major-hit, as the film elevated him from being just another very popular actor to nearly a demigod status among the masses.[46] He made a cameo in Peddarayudu for his friend Mohan Babu and also helped him in obtaining the remake rights. The same year, he acted in yet another gangster film, Aatank Hi Aatank with Aamir Khan which was also his last Hindi film in a major role till date.[40] His film Muthu was another commercial success, directed by K. S. Ravikumar and produced by K. Balachander, and became the first Tamil film to be dubbed into Japanese, as Mutu: Odoru Maharaja.[47][48] The film grossed a record $1.6 million in Japan in 1998 and was responsible for creating a large Japanese fan-base for Rajinikanth and Actress Meena. This film was unique among international film stars outside of the United States.[49] Muthu's success in Japan led American news magazine Newsweek to comment in a 1999 article that Rajinikanth had "supplanted Leonardo DiCaprio as Japan's trendiest heartthrob".[50] He also entered Bengali cinema through Bhagya Debata, which released at the end of 1995.
2002–10
After a brief gap, Rajinikanth starred in Baba in 2002, for which he had also written the screenplay.[51] Released with much fanfare and hype at the time, the film featured a story revolving around the reforming of a gangster, who is revealed to be the reincarnation of the Hindu saint Mahavatar Babaji, and fights against political corruption.[51] It fell short of market expectations and the high bids reportedly translated to heavy losses for the distributors. Rajinikanth himself repaid the losses incurred by the distributors.[52][53] The film was received with comments such as "the bloom was off the rose" and that "the gold does not glitter any more".[54] Pattali Makkal Katchi leader S. Ramadoss condemned him for smoking and posing with beedis in the film. He was criticised for spoiling Tamil youth by glorifying smoking and drinking. PMK volunteers attacked theatres which screened the movie Baba and usurped film rolls and burnt it.[55] Amidst controversies and negative criticism, Rajinikanth kept himself away from acting. Despite this, a few novice directors approached him with scripts, all of which he rejected.[56]
Two years later, Rajinikanth signed up for P. Vasu's Chandramukhi (2005), a remake of the Malayalam evergreen hit classic Manichitrathazhu. The film eventually broke the record of being the longest running Tamil film as of 2007.[57] It was also dubbed in Turkish and German as Der Geisterjäger and released in those respective nations.[58] Following Chandramukhi's release, it was reported that AVM Productions were set to produce a film directed by S. Shankar starring Rajinikanth—the largest collaboration yet for a Tamil film. The film was Sivaji and released in the summer of 2007, following two years of filming and production. It became the first Tamil film to be charted as one of the top-ten best films of United Kingdom and South Africa box-offices upon release.[59][60] Rajinikanth received a salary of INR20 crore (US$3.1 million), for his role in the film, which made him become the second highest paid actor in all of Asia.[3][4][61] During the production of Sivaji, Soundarya Rajinikanth announced her intention of producing a computer-generated imagery film starring an animated version of her father titled Sultan: The Warrior. The film was set for release in 2008,[62][63] however it entered development hell and its development status would become unknown over the next few years.[64]
"Is there anything left to be said about a man who, at 61, still manages to star in one of the most successful films of the year, not just in the south, but across India? Superstar Rajni once again proved that he is the actor with the Midas touch with the sci-fi flick Endhiran, where he played an ambitious scientist, a naive robot and an evil android bent on destroying the world [...] He did it with such aplomb that he's been the talk of the town for months. He might do one film in two years, but when he does, he pulls out all the stops."
—Rediff on Rajinikanth's performance in Enthiran[65]
He worked with P. Vasu again for Kuselan, which was made simultaneously in Telugu as Kathanayakudu, in which Rajinikanth played an extended cameo role as himself, a film star in the Indian cinema, and as a best friend to the film's protagonist. According to Rajinikanth, the film somewhat narrated his early life.[66] The film, however, performed poorly at box offices and led to many distributors incurring major losses.[67] Rajinikanth also stated that he would work with Pyramid Saimira again in order to compensate for Kuselan.[68][69]
Rajinikanth worked again with S. Shankar for the science fiction film, Enthiran.[70] The film was released worldwide in 2010 as the most expensive Indian film ever made, ultimately becoming the highest-grossing tamil film in India of its time.[71][72][73] Rajinikanth was paid a remuneration of INR45 crore (US$6.9 million) for the film.[74]
2011–present
In January 2011, Rajinikanth was slated to appear in Rana, a period film to be produced by Soundarya Rajinikanth and directed by K. S. Ravikumar, who would work with Rajinikanth for the third time.[33] During the principal photography of the film on 29 April 2011, he suffered a mild foodborne illness that caused emesis which resulted in dehydration and exhaustion.[75] He was treated at St. Isabel's Hospital for a day before being discharged.[76] Five days later, he was rushed to the same hospital again after suffering from breathlessness and fever.[77] He was diagnosed with bronchitis and was kept at the hospital for a week, while spending a few days under an intensive care unit.[78] Several conflicting reports of discharge dates had arose, as well as claims of Rajinikanth's health deteriorating,[79] which were continuously denied by Latha Rajinikanth. By this time, CNN-IBN reported that "Rajinikanth dead" was one of the top trends on Twitter and most searched term on Google in India.[80] Two days after his last discharge, Rajinikanth was admitted to the Sri Ramachandra Medical College and Research Institute on 16 May 2011 for recurring respiratory and gastrointestinal problems.[81] The hospital, however, continued to maintain that Rajinikanth was in a stable condition and showed positive response to treatment.[79] On 19 May 2011, he was shifted to the intensive care unit after showing initial signs of renal failure and was undergoing temporary dialysis.[82] It was widely reported that he required a kidney transplantation, which was later denied by Dhanush.[83] On 21 May 2011, Aishwarya Rajinikanth released a photo of her and Rajinikanth, both posing with a thumbs signal in his hospital ward, responding to fans' negative reaction to news reports.[84] The hospital restricted unauthorised visitors.[85] Rajinikanth's brother, Sathyanarayana Rao Gaikwad, reported that the cause of the sudden illness was due to stress from rapid weight-loss and changes in diet, as well as withdrawal of alcohol consumption and smoking cessation.[86] After addressing fans in a 4-minute digitally recorded voice message to the media, Rajinikanth, under the advice of Amitabh Bachchan, travelled from Chennai to Singapore with his family on 21 May 2011, where he was to undergo further treatment for nephropathy at Mount Elizabeth Hospital.[87][88][89] After spending over two weeks at the hospital, he was finally discharged on 15 June 2011 and continued to stay in Singapore for vacation, before returning to Chennai on 13 July 2011.[90]
Despite several failed attempts to restart Rana, Rajinikanth reprised his Enthiran character, Chitti, in the Bollywood science-fiction film Ra.One (2011) in a guest appearance alongside Shahrukh Khan and Kareena Kapoor.[91] In November 2011, it was decided that Rana would be shelved to make way for a new project with Rajinikanth in the lead, titled Kochadaiyaan, to be directed by Soundarya Rajinikanth and written by K. S. Ravikumar.[92]
Popularity

Rajinikanth has been called the most popular Indian film actor of his time.[30][93][94] His popularity has been attributed to "his uniquely styled dialogues and idiosyncrasies in films, as well as his political statements and philanthropy".[95] Many also cite reasons for Rajinikanth's popularity as coming from his larger-than-life super-hero appearance in many films, supported by gravity-defying stunts and charismatic expressions, all while attempting to maintain modesty in real-life.[96] Almost every film of Rajinikanth has punchlines delivered by him in an inimitable style, and these punchlines often have a message or even to warn the film's antagonists. These dialogues are usually fabricated to create new ones or even taken in a comical way, but do not fail to create a sense of entertainment among viewers.[97][98] It is suggested by the media that some popular actors who worked with Rajinikanth earlier in their careers, such as Gouthami Tadimalla and Nayanthara, were recognised because of their association with Rajinikanth, giving other aspiring actors the urge to work with him.[99][100] Some fellow actors, such as Cho Ramaswamy, have commentated that Rajinikanth has the potential to be successful in Indian politics due to his popularity and fan base alone.[6]
During a visit to Japan in 2006, Indian Prime Minister Manmohan Singh acknowledged the success of Muthu in the country during a speech, justifying the positive relationship between the two nations.[101] Chandramukhi is notable for being the longest-running Tamil film in India, playing for a total of over 800 days. Sivaji was instrumental in making one of the largest releases for an Indian film in the world; the film entered the list of top ten films of the United Kingdom upon release. Chandramukhi and Sivaji were also released in South Africa, where they eventually became high box-office grossers.[102] In December 2010, it was reported that students of the post-graduate management program at the Indian Institute of Management Ahmedabad would use Enthiran as a case study to analyse the business of cinema and its success story, as part of an elective course called Contemporary Film Industry: A Business Perspective. The course would also study Muthu.[103]
"Rajinikanth facts" or "Rajinikanth jokes" are satirical factoids about Rajinikanth. They are widely circulated in text messages and over the internet.[12] Most Rajinikanth "facts" are said to be lifted from Chuck Norris facts. These satirical jokes have also inspired an iPad application.[104][105][106] It has been reported that the first biography of the actor will be launched by Penguin Books on 12 December 2012, coinciding with his 62nd birthday.[107] Rajinikanth is the only actor who became a chapter in the lesson for CBSE syllabus titled ‘From Bus Conductor to Superstar’ which comes under the category Dignity of Work.[108]
Personal life

Family
Rajinikanth married Latha Rangachari on 26 February 1981, at the age of 31 in Tirupati, Andhra Pradesh.[109] The couple have two daughters named Aishwarya Rajinikanth and Soundarya Rajinikanth. His wife, Latha Rajinikanth, currently runs a school named "The Ashram". His elder daughter, Aishwarya, married actor Dhanush on 18 November 2004 and they have two sons named Yathra and Linga.[110][111] His younger daughter, Soundarya, works in the film industry as a director, producer and graphic designer. She married industrialist Ashwin Ramkumar on 3 September 2010.[112]
Religious views
Rajinikanth is a follower of Hinduism, spiritualism, and a strong believer of spirituality.[113] As a reader, he also enjoys books on such topics. He is also a practitioner of yoga and meditation. Rajinikanth is known for visiting temples prior to the release of each of his films; for instance he visited the Tirumala Venkateswara Temple before the release of Sivaji in 2007 and visited Sathya Sai Baba at Prasanthi Nilayam in Andhra Pradesh before the release of Kuselan the following year.[114] He also occasionally leaves for pilgrimage to the Himalayas.[115] He has often referred to Ramakrishna Paramahamsa,[116] Swami Satchidananda, Ragavendra Swami,[117] Mahavatar Babaji,[118] and Ramana Maharishi[116] as his favourite spiritual leaders.
Social work and politics
In 1995, Rajinikanth began supporting the Indian National Congress after meeting Prime Minister Narasimha Rao. An opinion poll conducted by the magazine Kumudam predicted that Congress with Rajinikanth's support might win up to 130 seats in Tamil Nadu Assembly. In 1996, when the Congress Party decided to align with All India Anna Dravida Munnetra Kazhagam (AIADMK) for the assembly election in Tamil Nadu, Rajinikanth changed loyalties and supported Dravida Munnetra Kazhagam (DMK)-Tamil Maanila Congress (TMC) alliance. The TMC used a bicycle as their election symbol and used an image of Rajinikanth riding a bicycle from the film Annamalai in their posters. Rajinikanth said, "Even God cannot save Tamil Nadu if AIADMK returns to power." Rajinikanth wholeheartedly supported the DMK and TMC alliance and asked the people of Tamil Nadu and his fans to vote for that alliance. This alliance had a complete victory in 1996. Rajinikanth also supported the DMK-TMC alliance in the parliamentary election held the same year.[119]
In 2002, Rajinikanth undertook a daylong fast to protest the Government of Karnataka's decision to not release Kaveri River water into Tamil Nadu and announced that he would contribute INR1 crore (US$150,000) toward a plan to interlink Indian rivers.[120] He met with Indian Prime Minister Atal Bihari Vajpayee and many experts to canvass support for the project.[121] However, most other members of the Tamil film industry, including members of the South Indian Film Artistes' Association (SIFAA), organised their own solidarity protest. Film director Bharathi Raja stated that Rajinikanth was on the verge of dividing the film industry and called him "traitor who had a tacit understanding with the Karnataka government".[122]
Later in 2004, Rajnikanth said he would personally vote for the BJP but would not extend his support to any front.[123] The alliance was completely thrashed in the election and did not even win a single seat out of the 39 seats for Tamil Nadu in the Lok Sabha.[124]
During the 2008 hunger strike organised by SIFAA against Karnataka's stance on the Hogenakkal Falls water dispute, he reprimanded politicians in Karnataka. Further, he appealed to leaders not to inflame the water project issue for political gains and requested that the issue should be resolved soon. He urged the Karnataka politicians "to speak the truth". "They cannot be fooled and will not remain silent if you continue to act in such manner," he stated.[125] Vatal Nagaraj, a hardline Kannada activist and leader of the Kannada Chaluvali Vatal Paksha, demanded an apology from Rajinikanth and threatened that he would not be allowed in the state of Karnataka and all his films would be boycotted.[126] This was also echoed by other pro-Kannada organisations such as the Karnataka Rakshana Vedike.[126] In an effort to save the economy of Tamil cinema in Karnataka and ensure welfare of Tamil Nadu-based filmmakers, Rajinikanth made a brief media appearance on the news channel TV9 Kannada and clarified his speech, issuing an apology for his statements.[126] Following the release of Kuselan in Karnataka, Rajinikanth thanked the Kannada film industry for allowing the release of the film and lifting the ban. Fellow Tamil actors R. Sarathkumar, Sathyaraj and Radha Ravi condemned the apology, calling it a "disgrace to Tamilians" and stating that "there was no need for him to apologise as his speech never provoked the sentiments of Kannadigas or the Kannada film industry".[127]
Local fan associations of Rajinikanth in Tamil Nadu continuously speculated his entry in politics. In this regard, a few fans in Coimbatore began a political party in 2008 for Rajinikanth, in an attempt to pressure his entry. The party was named the Desiya Dravadar Makkal Munnetra Kazhagam (DDMMK), introducing its own flag and symbol for the party.[128] After learning about this, Rajinikanth wrote an open letter to the media and declared that he had no connection with these events and warned fans not to indulge in such activities and that he would take legal action if they failed to adhere. He also mentioned that he was not interested in politics and thus, was only committed to working in films. He added that nobody can force him to enter politics, just as no one can stop him from entering it.[129] Later that year, Rajinikanth took part in the SIFAA-organized one-day hunger strike with other Tamil film personalities, demanding the government of Sri Lanka to stop the civil war and to provide Sri Lankan Tamils their rights and traditional land in the island nation.[130] The hunger strike was responsible for sparking a series of protests in different parts of the world for the same cause. In 2010, Rajinikanth supported actor Ajith Kumar, who spoke against the forceful inclusion of Tamil cinema personae in political affairs, which broke into a controversy.[131]
Later in 2011, Rajinikanth announced his support for the anti-corruption movement led by Gandhian Anna Hazare.[132] He even offered his marriage hall, Raghavendra Kalyana Mandapam in Chennai free of cost for the India Against Corruption members to hold their fast.

YARANA

                    Rating****|*****

Directed by Rakesh Kumar
Produced by F.A. Nadiadwala
Written by Gyandev Agnihotri
Vijay Kaul
Kader Khan
Starring Amitabh Bachchan
Amjad Khan
Neetu Singh
Tanuja
Kader Khan
Music by Rajesh Roshan
Cinematography Peter Pereira
Editing by Waman Bhonsle                                                                                                                                                                                                                                                 Film poster
Gurudutt Shirali
Distributed by A.K. Movies
Release date(s) 10 January 1981
Running time 138 mins
Country India
Language Hindi
Yaarana is a 1981 Indian musical drama film directed by Rakesh Kumar and starring Amitabh Bachchan, Amjad Khan, Neetu Singh, Tanuja and Kader Khan. This was one of the films where Amjad Khan plays a positive role. Nearly all of his other films with Amitabh Bachchan have been where he plays a villain role. This movie became a hit at the box office. One of the plus points of the film was its music by Rajesh Roshan and lyrics by Anjaan. At least three songs "Chhookar Mere Mann Ko", "Tere Jaisa Yaar Kahan", "Saara Zamana Haseeno Ka Deewana" were superhit songs and still liked. "Saara Zamana Haseeno Ka Deewana" is particularly noteworthy because of Amitabh Bachchan's dance with clothes fitted with electric bulbs which he himself operated from under his clothing maintaining synchronization while dancing.
Contents  [hide] 
1 Plot
2 Cast
3 Soundtrack
4 External links
Plot[edit source | editbeta]

Kishan and Bishan are childhood friends. Kishan is an orphan but who is self-sufficient and hard-working, while Bishan comes from an affluent background. The friendship between the two is extremely strong and is the bane of Bishan's uncle who has his eyes on his widowed sister's wealth. In a bid to separate the two friends the uncle manipulates his sister into sending Bishan away to the city and then abroad for further education.
When the two friends re-unite years later, Bishan (Amjad Khan) discovers that Kishan (Amitabh Bachchan) has a great voice. Bishan is now a successful businessman and he wants to promote Kishan's singing talent. Kishan goes to the city with his friend, where Bishan asks Komal (Neetu Singh) to groom him to be a performer and a gentleman. Kishan tries to get expelled from the process by being uncooperative and disruptive. In the meantime, Bishan discovers that the family wealth has been systematically looted over the last 18 years by the uncle and his son. He is forced to borrow by mortgaging his remaining assets in order to ensure that Kishan becomes a successful singer. This causes a major rift between Bishan and his wife who is convinced that Kishan will turn his back on his friend if he were to ever succeed. Kishan's debut concert is a huge success & he goes on to donate the proceeds of his earning & consequent record deals to rid his friend Bishan of his many mortgages & in order to help woo his estranged sister & lovable nephew (Bishan's 10 year old son) in law back into the house.
Kishan proceeds to becomes a star and Komal (Neetu Singh) - his trainer professes her love for him. Bishan in the meanwhile falls into a conspiracy further set by his treacherous uncle (Jeevan) & cousin (Ranjeet). He is kidnapped alongside several hostages - primarily children on his shipping vessle, brainwashed & tortured & forced to sign a confession that all the misdeeds have been done by him. Bishan loses his mental stability & goes into shock
He is then thrown into an asylum after he loses his mind & suffers from Amnesia. Kishan pretends to be mad & admits himself in the asylum by tricking the authorities & saves his friend by reviving his memory successfully by feeding him rotis as he used to when they were children.
The climax follows the typical action confrontation formula reminiscent of films in that era where there are big explosions & the heroes single handedly take on hoardes of goons. The movie ends with the children - hostages being saved, the family uniting & the treacherous mastermind (Ranjeet) being sent to jail.
Amitabh Bachchan was at his peak in this film. His comic timing was excellent and his acting flawless. He truly does carry this film entirely with his bravura performance & Amjad Khan was praised for his portrayal of a doting friend. The film is still appealing thirty odd years later, primarily due to Amitabh Bachchan and the late Amjad Khan. This movie also marks a breakthrough in the musical career of Rajesh Roshan.
Cast[edit source | editbeta]

Amitabh Bachchan.... Kishan
Amjad Khan.... Bishan
Neetu Singh.... Komal
Tanuja.... Sheela (Bishan's Wife)
Kader Khan.... Johnny (Bishan's Driver)
Jeevan.... Bishan's Uncle
Ranjeet.... Bishan's Cousin
Ram Sethi... Instructor
Soundtrack[edit source | editbeta]

Song Singer(s) Duration
"Chhu Kar Mere Manko" Kishore Kumar 4:15
"Tere Jaisa Yaar Kahan" Kishore Kumar 4:39
"Sara Zamana" Kishore Kumar 4:26
"Bhole O Bhole" Kishore Kumar 4:36
"Tu Rutha Dil Tuta" Kishore Kumar 6:01
"Bishan Chacha" Mohammed Rafi 5:23
External links[edit source | editbeta]

Yaarana at the Internet Movie Database
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Categories: 1981 filmsIndian filmsHindi-language films1980s Hindi-language film stub

On Screen Jodi in Bollywood-Decade Wise

most famous and leading on-screen couple in 1960s was Nargis and Raj Kapoor. Even today, this is the most beloved pair in Bollywood. Starting their journey with the film Aag in 1948, the couple did almost 16 films together. The other famous on-screen couple of 1950s is no doubt Guru Dutt and Waheeda Rehman.

1960s:

Raj Kumar and Meena Kumari-jodi of 1960s

The on-screen chemistry of Raaj Kumar and Meena Kumari is unforgettable. The couple was at the peak of their career in 1960s. Their hit films include Dil Apna Preet Parai, Pakeezah and Dil Aik Mandar. Other hit couple of 60s was Dilip Kumar and Vyjayanthimala. The couple did a great job in films like Madhumati, Leader and Naya Daur.

1970s:

Popular jodi of Bollywood in 1970s: Mumtaz and Rajesh Khanna
The much celebrated on-screen couple of 70s was none other than Rajesh Khanna and Mumtaz. Prem Kahani, Do Raaste, and Aap Ki Kasam are some of their hit films. Other on-screen jodis of this decade were Rishi Kapoor and Neetu Singh and Dharmendra and Hema Malini.

1980s:

Jodi of 1980's-Rekha and Amitabh Bachchan

Amitabh, the superstar of the Millennium, and Rekha were the most demanded couple in 1980s for their scintillating on-screen romance. The couple was seen together in hit films like Mr Natwarlal, Do Anjaane, Suhaag, Khoon Pasina, and Muqaddar ka Sikandar. The other hit Jodi of this decade was Anil Kapoor and Madhuri Dixit. They first appeared in the hit film Tezaab in 1988.

1990s:

popular jodi of 1990's in Bollywood: Kajol and Shahrukh Khan

Who don’t know about the leading couple of Baazigar. The gorgeous on-screen jodi of Shah Rukh Khan and Kajol have always set the screen on fire. They did blockbusters like Kuch Kuch Hota Hai, My Name is Khan, and Dilwale Dulhaniya Le Jaayenge. Anil Kapoor and Madhuri Dixit remained the most demanded on-screen jodi in 1990s, too.



Posts related to On Screen Jodi in Bollywood-Decade Wise

India's best Bollywood Jodi !!

Which Jodi do you think is the best and you like them !! there have been so many jodis formed in bollywood right from the early days of bollywood like Raj Kapoor-Nargis, Dalip Kumar-Vijayantimala, Dharmendra-Hema Malini and so on !! Lets hear from you guys which do you think is the best jodi in Bollywood today !!Hit on screen couples (jori; jodi) is a concept unique to Bollywood. Although Bollywood has produced many stars, superstars and a few megastars, whereIndian silver screen really excels is the presence of many on screen couples who had sizzling chemistry. This chemistry usually translated into box office hits. In every decade there have been a couple of on screen pairs in Bollywood who are considered as true identity of Indian cinema in that particular decade. For example, when one has to show anything pertaining to the 1950s Bollywood flicks, an image of Raj Kapoor in his Charlie Chaplin style and Nargis is her blackand white sari can do the trick. In the same way when you want to show Bollywood of 1980s, a pink fitting dress (like the one Sridevi wore in Naino mein Sapna; 1983-Himmatwala) and a lot of pots on the set arranged in some South Indian fashion and some funky dance moves of Sridevi Jitender fame can do it for you.
Here is a decade wise list of hit jodis from Bollywood.
Popular On Screen couples (jodi) from Bollywood: 1947-1960
3. Dilip Kumar and Meena Kumari
2. Ashok Kumar and Madhubala
1. Raj Kapoor and Nargis
Popular On Screen couples (jodi) from Bollywood: 1961-1970
3. Dilip Kumar and Vijyantimala
2. Dev Anand and Nautun
1. Dilip Kumar and Madhubala
Popular On Screen couples (jodi) from Bollywood: 1971-1980
3. Dharmender and Hema Malini
2. Amitabh Bachchan and Zeenat Aman
1. Amitabh Bachchan and Rekha
Popular On Screen couples (jodi) from Bollywood: 1981-1990
3. Naseer ud Din Shah and Shabana Azmi
2. Jitender and Sridevi
1. Anil Kapoor and Sridevi
Popular On Screen couples (jodi) from Bollywood: 1991-2000
4. Anil Kapoor and Madhuri Dixit
3. Govinda and Karishma Kapoor
2. Aamir Khan and Juhi Chawla
1. Shahrukh Khan and Kajol
Popular On Screen couples (jodi) from Bollywood: 2001 to date
3. Abhishek Bachchan and Rani Mukherjee
2. Shahrukh Khan and Kajol
1. Akshay Kumar and Katrina Kaif